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Already the subject of a Folk Roots magazine cover story some eight months before the appearance of his imminent debut album Panic Grass and Fever Few, Ian King now finds himself on the verge of ubiquity. Born in Yorkshire, a dry-stone waller by trade and a punk by nature, King is “a big fan of folk music from around the globe, what they call world music”. He maintains: “I might not be from the traditional English school of folk but I sincerely believe that all traditional music shares a common ground. My objective is to create a sound with broad appeal beyond just folk”. On Panic Grass and Fever Few – incidentally the title comes from a phrase in John Hersey’s war retrospective Hiroshima where the author refers to the green shoots of herbs that swiftly emerged from the ashes of that catastrophic event (King thought it juxtaposed rather nicely with the gentler folk sensibilities of parsley, sage, rosemary and thyme) – King has done much more than that: he’s created a musical landscape uniquely suited to the multi-cultured ether that surrounds us.

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